Tablou 41 x 33 cm realizat de Luminita Tudor.

Luminita Tudor was a creative artist. Born in 1952, Luminita Tudor passed away in 2007. Also born in 1952 and of this same generation are Olga Bobrovskaya, Ronald Stephen Riddick, Justin Boroughs, Finn Have, and Patrice Giorda.

Further Biographical Context for Luminita Tudor
Born in 1952, Luminita Tudor was largely inspired by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often characterised as a response to the dominant tensions of the preceding decade. Conceptual art emerged as a key movement, a partial evolution of and response to minimalism. Land Art took the works of art into the extensive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating esoteric and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly powerful figures worldwide. A number of the artists who gained fame and successful in the 1960s remained leading figures. For example, Andy Warhol branched out into film and magazine publishing, the first kind of cross cultural activity for a visual artist. This secured his reputation as a globally renowned celebrity in his own right. New York maintained an influential position in the international art world, ensuring that global artists continued to gravitate to the galleries, bars and downtown scene there. Towards the end of the decade, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists like Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and ensuring that spray paint and tagging gained some acceptability as a fine art practice, a trend which would fully develop and dominate throughout the next decade. International movements gained prominence included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed significant commercial and critical success. For the first time painters and sculptors from Latin America were embraced by the leading critical and institutional levers in New York. The largely Italian Arte Povera Movement gained global recognition during the 1970s, with artists like Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto achieving international praise. In Japan and Korea, artists associated with the Mono-Ha movement focused on encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, arranging them in mostly unaltered, transient states. The works focused on the interplay between these various elements and the surrounding space, and had a strong focus upon the European ideas of phenomenology.