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The key features of the MC-505 are:

64 voice polyphonic digital subtractive synthesis engine (derived from the Roland JV-1080) with 251 different oscillator, acoustic and drum sample waveforms
512 built-in preset sounds, 256 user sounds & 26 rhythm sets (includes the Roland CR-78, TR-808, TR-606, TR-909, TR-707 and R-8)
8-track MIDI sequencer + Mute Ctrl Track
Recording length of up to 32 bars per pattern
714 preset sequencer patterns, 200 user patterns, 50 user songs
3 multi-effect units: Reverb, Delay and 24 different EFXs
Infrared D-Beam controller for hands-free sound modulation
MEGAMix function for intuitive realtime mixing of beats and patterns
5 volt Smartmedia card slot for doubling user patch and pattern memory.

integrated means that it is sometimes hard to pull the two apart. Let's start with the synth section.

There's no new technology behind the sound‑generation system of the MC505: it's based firmly on samples, with 505 on board. The collection consists of raw basic synth and classic drum machine waveforms, many from Roland's own units, plus traditional instruments, sound effects and percussion.

Now you might not be getting a JV2080 when you buy an MC505, but the synth engine of the Groovebox is definitely from the same family, with a corresponding improvement in editability over the 303. Up to four elements (Tones) are available per Patch (the more Tones used, the less polyphony), with a choice of Tone structures where pairs of Tones interact with each other, frequency cross‑modulation (FXM) and ring modulation. Each Tone benefits from a familar Roland collection of envelope generators (amplitude, filter and pitch), filters and LFOs. Patches can be fully polyphonic or monophonic (you change from one to the other using the Solo button on the front panel), and portamento is also available. Your final, edited Patches can be named; there is space for 16 characters, but names are limited to 12.

For hands‑on, immediate synth‑music production and spontaneous live work the MC505 is the business.
The 512 preset Patches, arranged in four banks, are a dizzyingly diverse collection, though biased towards analogue synth and dance‑oriented sounds. In fact, the first 21 Patches are aggressively TB303‑based. The traditional sounds — basses, pianos, brass, saxes, strings, and so on — are clearly from the Roland family (ie. good), and worth having, but there isn't the variety you'd find on a dedicated modern synth.

One of the MC303's negative points was its lack of real user memories for customised Patches. This shortcoming has been remedied on the 505, which offers 256. Edited Patches were saved with Patterns on the 303, and you can, if you like, do the same on the new Groovebox: any tweaks you make while a Pattern is recording can be saved with the Pattern, extending the sonic palette of the MC505 even further.

Rhythm Sets can also be comprehensively customised: each drum voice has access to pretty much the full range of synth parameters, though they don't respond to pitch‑bend from an external keyboard, which is a bit strange for a Roland product. Also worth noting is that individual drum sounds can be routed to any of the three pairs of audio outputs.

Arpeggiator

Sintetizator / Groovebox/ Drum machine