Postat 15 ianuarie 2026
Chitara acustica Taylor American Dream AD17 Grand Pacific Natural Top
1 000 €
Persoana fizica
Stare: Utilizat
Descriere
Chitara acustica Taylor American Dream AD17 Grand Pacific Natural Top
.
6-string Acoustic Guitar with Spruce Top, Ovangkol Back and Sides, Mahogany Neck, and Eucalyptus Fingerboard - Natural
.
A New Chapter in Taylor Value and Performance
With the American Dream series of US-built acoustic guitars, Bob Taylor and Andy Powers have opened a new chapter in Taylor value and performance. Never before has it been this affordable to own an American-made Taylor guitar with class-leading features. The Grand Pacific AD17 slope-shoulder dreadnought is built from solid Taylor tonewoods (spruce, ovangkol, and mahogany), each with minor cosmetic imperfections to honor the mature sound and workhorse aesthetic these early guitars are known for. Taylor's V-Class Bracing gives the AD17 impressive sustain and a clean, pure tone that stands up to even the scrutiny of the studio. All in all, the American Dream Taylor AD17 is a professional instrument that comes in at a price that will ensure you're not afraid to take it on the road.
.
Taylor's American-made legacy
In 1974, a young Bob Taylor cut his teeth building custom acoustics out of San Diego's American Dream guitar factory. The American Dream series pays tribute to this time in Taylor's history with its working-class, American-made pro instruments, built with the same values and American spirit that have driven the Taylor name for the past 45+ years.
.
Woods with character
Have you ever owned a guitar that was too pretty to play out? With the American Dream AD17, you can lay your fears to rest. The woods on this guitar are chosen specifically for their sonic properties and minor cosmetic imperfections. The result is a great-sounding, well-priced guitar that you can haul from session to session without any compunction. An included Taylor AeroCase delivers rugged protection around town without adding much carry weight to the equation.
.
Spruce, ovangkol, and mahogany
The Taylor American Dream AD17 features a solid Sitka spruce top on back and sides made from solid ovangkol. Ovangkol is a rosewood relative that hails from the tropics of West Africa. It shares many sonic similarities with rosewood but delivers a punchier, more articulate midrange and a little less sparkle in the upper partials. Paired with the spruce top — a Taylor standard — and great-playing mahogany neck, it's a recipe for rich tone and unmistakable Taylor playability.
.
Grand Pacific dreadnought design
The AD17's slope-shoulder Grand Pacific design is inspired by the Laurel Canyon acoustic scene that Andy grew up with in the Southern Californian '60s and '70s. Its smooth top end and full, balanced bass go naturally with the human voice. The enlarged lower bout supplies a good platform for recording and acoustic gigging of any kind. It's the evolution of the traditional dreadnought sound. And paired with Taylor's V-Class Bracing, the Grand Pacific is better than ever.
.
V-Class Bracing
Taylor's V-Class Bracing proves that a guitar top can be stiff and flexible at the same time. Stiffness parallel to the strings enhances rigidity for greater sustain. While flexibility on the sides generates the air movement necessary for that robust dreadnought projection. It's the best of all worlds — tone and resonance, output and sustain. V-Class Bracing also reduces harmonic distortion between the strings and top for chords that sound more in-tune. This premium feature is normally reserved for the cream of Taylor's guitar crop. But incredibly, it comes as a standard feature on your American Dream AD17.
.
Taylor American Dream AD17 Acoustic Guitar Features:
A pro guitar with character
Proudly built in the USA
Woods chosen for their mature sound and workhorse aesthetic
Grand Pacific slope-shoulder dreadnought body honors the Southern California '60s music scene
Solid spruce top — a longstanding acoustic guitar standard
Solid ovangkol back & sides — sonic properties similar to rosewood
Easy-playing mahogany neck and eucalyptus fingerboard supply sought-after Taylor playability
V-Class Bracing increases output, enhances sustain, and reduces harmonic distortion for a more in-tune sound
.
Pret magazin Waltons: € 1.463
www.waltons.ie/product/taylor-ad-17-natural-acoustic/
Pret magazin Nakas: € 1.500
www.nakas.gr/en/proionta/hot-deals/mousika-organa/kithares/akoustikes-kithares/taylor-taylor-american-dream-ad17-blacktop-acoustic-guitar_798376/
Review:
guitarinteractivemagazine.com/review/taylor-american-dream-ad17/
Utilising Taylor's beloved Grand Pacific body shape, the American Dream series is a modern take on the classic round-shoulder dreadnought that retains the powerful yet warm sound of a dreadnought but with more clarity and note-definition, particularly in the low-end. The American Dream series is Taylor's entry-point for those looking for an American-made, all-solid wood acoustic guitar. Nick Jennison reviews the Taylor American Dream AD17.
I've had the pleasure of looking at a number of Taylor's V-Class guitars since they were introduced in 2018, and I'm yet to play one that I haven't been impressed by. This innovative bracing pattern improves sustain, projection and even intonation, and it seems to enhance every guitar Taylor use it on - regardless of body style or wood selection. This labour intensive process is reserved for Taylor's more expensive solid wood American-made guitars found in the 300 series and up.
Named after the guitar shop where Taylor was founded in the '70s, the American Dream line of guitars puts solid woods, USA constriction and V-Class bracing within reach for players that want a bonafide pro-level instrument, but perhaps can't quite stretch their budget to a 314ce.
Right out of the box, the blacktop-finished AD17 had my heart racing. It's elegant, simple and very chic, with more than a little Johnny Cash cool. While I'm normally not a fan of finishes on acoustic guitar (being of the opinion that more paint tends to dampen the resonance of the timbers), the matte finish here is thin enough to get a pass from me - which is good news, since I'm so taken by how it looks.
The construction here is all solid woods, with no layered or laminate timbers insight. The AD17 sports a Sitka spruce and a mahogany neck. Taylor has selected ovangkol for the back and sides and eucalyptus for the fingerboard - two kinds of wood that are very similar in tone to rosewood, but more ecologically friendly and cost-effective. These bright and crisp wood choices are offset by what has become my favourite Taylor body shape: the Grand Pacific. This round-shouldered dreadnought design has a warm, seasoned tone and balances beautifully on either leg.
Tonally, the AD17 is warm and authoritative, with a lot of volume and a top-end that's more silky than snappy. The lows are deep and three dimensional, but without the bloat that larger dreads sometimes exhibit. If you lay in with aggressive strumming, it's right there with you. By contrast, more delicate fingerstyle work has enough oomph and projection to carry without sacrificing sustain, detail or harmonic complexity. It's just a really well-balanced instrument.
The playability is as good as I've ever felt on a Taylor guitar. The action is low right up to the 14th fret neck join, and the neck is extremely comfortable with both thumb-around and thumb-behind playing positions. Most notably, however, the superb balance and chamfered body edges made sitting with this guitar very comfortable. Often with acoustics, I'm faced with either "supporting" the guitar with my left hand (which impedes dexterity) or "holding" the body with my right arm (which dampens the tone). With this guitar, I didn't have to do either, which meant I could play a lot more freely than I usually can on larger-bodied acoustics.
Out of all the Taylor guitars I've played, I like the AD17 the best. It looks fantastic, plays effortlessly and the tone is superb, but it's also relatively affordable. If I were to buy a Taylor guitar, this would be the one - you should check it out too!
Chitara este in stare impecabila, fara nici un defect sau alte urme de uzura.
Pretul este fix fara negocieri (redus cu 30% fata de magazin), schimburi sau alte combinatii.
Prefer sa o pastrez decat sa o vand pe bani putini.
Preferabil vizionare, testare si predare personala in Bucuresti.
Trimit si in alte localitati prin curier cu verificarea coletului la destinatie insa numai cu plata in avans a sumei de 100 lei care sa acopere transportul in caz de neridicare, suma care se va scadea din rambursul final de plata.
Pentru alte produse de calitate la preturi avantajoase va rog sa verificati celelalte anunturi ale mele.
.
6-string Acoustic Guitar with Spruce Top, Ovangkol Back and Sides, Mahogany Neck, and Eucalyptus Fingerboard - Natural
.
A New Chapter in Taylor Value and Performance
With the American Dream series of US-built acoustic guitars, Bob Taylor and Andy Powers have opened a new chapter in Taylor value and performance. Never before has it been this affordable to own an American-made Taylor guitar with class-leading features. The Grand Pacific AD17 slope-shoulder dreadnought is built from solid Taylor tonewoods (spruce, ovangkol, and mahogany), each with minor cosmetic imperfections to honor the mature sound and workhorse aesthetic these early guitars are known for. Taylor's V-Class Bracing gives the AD17 impressive sustain and a clean, pure tone that stands up to even the scrutiny of the studio. All in all, the American Dream Taylor AD17 is a professional instrument that comes in at a price that will ensure you're not afraid to take it on the road.
.
Taylor's American-made legacy
In 1974, a young Bob Taylor cut his teeth building custom acoustics out of San Diego's American Dream guitar factory. The American Dream series pays tribute to this time in Taylor's history with its working-class, American-made pro instruments, built with the same values and American spirit that have driven the Taylor name for the past 45+ years.
.
Woods with character
Have you ever owned a guitar that was too pretty to play out? With the American Dream AD17, you can lay your fears to rest. The woods on this guitar are chosen specifically for their sonic properties and minor cosmetic imperfections. The result is a great-sounding, well-priced guitar that you can haul from session to session without any compunction. An included Taylor AeroCase delivers rugged protection around town without adding much carry weight to the equation.
.
Spruce, ovangkol, and mahogany
The Taylor American Dream AD17 features a solid Sitka spruce top on back and sides made from solid ovangkol. Ovangkol is a rosewood relative that hails from the tropics of West Africa. It shares many sonic similarities with rosewood but delivers a punchier, more articulate midrange and a little less sparkle in the upper partials. Paired with the spruce top — a Taylor standard — and great-playing mahogany neck, it's a recipe for rich tone and unmistakable Taylor playability.
.
Grand Pacific dreadnought design
The AD17's slope-shoulder Grand Pacific design is inspired by the Laurel Canyon acoustic scene that Andy grew up with in the Southern Californian '60s and '70s. Its smooth top end and full, balanced bass go naturally with the human voice. The enlarged lower bout supplies a good platform for recording and acoustic gigging of any kind. It's the evolution of the traditional dreadnought sound. And paired with Taylor's V-Class Bracing, the Grand Pacific is better than ever.
.
V-Class Bracing
Taylor's V-Class Bracing proves that a guitar top can be stiff and flexible at the same time. Stiffness parallel to the strings enhances rigidity for greater sustain. While flexibility on the sides generates the air movement necessary for that robust dreadnought projection. It's the best of all worlds — tone and resonance, output and sustain. V-Class Bracing also reduces harmonic distortion between the strings and top for chords that sound more in-tune. This premium feature is normally reserved for the cream of Taylor's guitar crop. But incredibly, it comes as a standard feature on your American Dream AD17.
.
Taylor American Dream AD17 Acoustic Guitar Features:
A pro guitar with character
Proudly built in the USA
Woods chosen for their mature sound and workhorse aesthetic
Grand Pacific slope-shoulder dreadnought body honors the Southern California '60s music scene
Solid spruce top — a longstanding acoustic guitar standard
Solid ovangkol back & sides — sonic properties similar to rosewood
Easy-playing mahogany neck and eucalyptus fingerboard supply sought-after Taylor playability
V-Class Bracing increases output, enhances sustain, and reduces harmonic distortion for a more in-tune sound
.
Pret magazin Waltons: € 1.463
www.waltons.ie/product/taylor-ad-17-natural-acoustic/
Pret magazin Nakas: € 1.500
www.nakas.gr/en/proionta/hot-deals/mousika-organa/kithares/akoustikes-kithares/taylor-taylor-american-dream-ad17-blacktop-acoustic-guitar_798376/
Review:
guitarinteractivemagazine.com/review/taylor-american-dream-ad17/
Utilising Taylor's beloved Grand Pacific body shape, the American Dream series is a modern take on the classic round-shoulder dreadnought that retains the powerful yet warm sound of a dreadnought but with more clarity and note-definition, particularly in the low-end. The American Dream series is Taylor's entry-point for those looking for an American-made, all-solid wood acoustic guitar. Nick Jennison reviews the Taylor American Dream AD17.
I've had the pleasure of looking at a number of Taylor's V-Class guitars since they were introduced in 2018, and I'm yet to play one that I haven't been impressed by. This innovative bracing pattern improves sustain, projection and even intonation, and it seems to enhance every guitar Taylor use it on - regardless of body style or wood selection. This labour intensive process is reserved for Taylor's more expensive solid wood American-made guitars found in the 300 series and up.
Named after the guitar shop where Taylor was founded in the '70s, the American Dream line of guitars puts solid woods, USA constriction and V-Class bracing within reach for players that want a bonafide pro-level instrument, but perhaps can't quite stretch their budget to a 314ce.
Right out of the box, the blacktop-finished AD17 had my heart racing. It's elegant, simple and very chic, with more than a little Johnny Cash cool. While I'm normally not a fan of finishes on acoustic guitar (being of the opinion that more paint tends to dampen the resonance of the timbers), the matte finish here is thin enough to get a pass from me - which is good news, since I'm so taken by how it looks.
The construction here is all solid woods, with no layered or laminate timbers insight. The AD17 sports a Sitka spruce and a mahogany neck. Taylor has selected ovangkol for the back and sides and eucalyptus for the fingerboard - two kinds of wood that are very similar in tone to rosewood, but more ecologically friendly and cost-effective. These bright and crisp wood choices are offset by what has become my favourite Taylor body shape: the Grand Pacific. This round-shouldered dreadnought design has a warm, seasoned tone and balances beautifully on either leg.
Tonally, the AD17 is warm and authoritative, with a lot of volume and a top-end that's more silky than snappy. The lows are deep and three dimensional, but without the bloat that larger dreads sometimes exhibit. If you lay in with aggressive strumming, it's right there with you. By contrast, more delicate fingerstyle work has enough oomph and projection to carry without sacrificing sustain, detail or harmonic complexity. It's just a really well-balanced instrument.
The playability is as good as I've ever felt on a Taylor guitar. The action is low right up to the 14th fret neck join, and the neck is extremely comfortable with both thumb-around and thumb-behind playing positions. Most notably, however, the superb balance and chamfered body edges made sitting with this guitar very comfortable. Often with acoustics, I'm faced with either "supporting" the guitar with my left hand (which impedes dexterity) or "holding" the body with my right arm (which dampens the tone). With this guitar, I didn't have to do either, which meant I could play a lot more freely than I usually can on larger-bodied acoustics.
Out of all the Taylor guitars I've played, I like the AD17 the best. It looks fantastic, plays effortlessly and the tone is superb, but it's also relatively affordable. If I were to buy a Taylor guitar, this would be the one - you should check it out too!
Chitara este in stare impecabila, fara nici un defect sau alte urme de uzura.
Pretul este fix fara negocieri (redus cu 30% fata de magazin), schimburi sau alte combinatii.
Prefer sa o pastrez decat sa o vand pe bani putini.
Preferabil vizionare, testare si predare personala in Bucuresti.
Trimit si in alte localitati prin curier cu verificarea coletului la destinatie insa numai cu plata in avans a sumei de 100 lei care sa acopere transportul in caz de neridicare, suma care se va scadea din rambursul final de plata.
Pentru alte produse de calitate la preturi avantajoase va rog sa verificati celelalte anunturi ale mele.
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